Blogs are Back!

To kick off 2020, we have a cascade of agreement on all sides: And I’m not the only one agreeing with Scalzi and Wendig: So why? Why are blogs a thing? Or alternatively, why do they NEED to be a thing? Scalzi spells it out – even if you are on the left, and I STRONGLY URGE any of my readers who feel “safe” on social media due to being politically aligned to the left to consider this, the goalposts can shift at any time and you can get your social media presence destroyed. They can destroy it directly by…

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Karen the Moneywasher (Dialogue Demo)

The following is a short scene and a half of a story created on my livestream for the purposes of demonstrating dialogue writing. It begins with two characters who banter, revealing their character traits and also through that dialogue reveal the basic elements of a plot goal – Karen needs to launder money. The second (incomplete) scene introduces a third character, exposes his traits, and further develops the main plot goal. It was quite a bit of fun! Check out the entire stream here, then view the file below:

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Sarah the Rogue

Sarah rushed through the narrow alleyway, brushing a stray red hair from her blushed lips as she went. The cold night wind drew moisture to her eyes, something that had grown unfamiliar to her in the days since she had offered her employment to the Order of the Black Lotus. She grumbled to herself as she stepped around a stray cat, causing the inky feline to tip over an empty bottle

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IP “Law” and Free Societies

From a fan: HI David, Love your content on youtube. I’d be very interested to hear your take on how IP law has distorted the entertainment industry, in particular, the Star Wars movies. I’m an anarchist and advocate of the dissolution of all intellectual property law. Although my main argument is principled, I also think that IP law is has had negative effects on every industry; including books, movies, music, and tv. I’d be stoked to hear back from you, or see a video inspired by this topic. Keep up the great work. Thanks! IP law is something I talk…

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Creating Plot Points on the Micro Level (Lined Paper)

I wrote Lined Paper after giving a short piece of advice on how to pace scenes so that they keep the interest of the reader: Hey David, how should I think about control “tempo” in writing? I’m bad at explaining things but I’m trying to write my NaNo and when I go back and look at stuff, I see that the scenes I like have a lot more detail in them and come across as slower, and the ones I’m more unsure about almost look like summaries of what happened than being, uh.. “present” in what is happening? Sorry if that…

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Writestream 2 – Drafting Prose Character Dynamics, and Dialogue (11/14/2018)

This week’s livestream covered (among other things): The drafting process – how to write consistently and finish your first draft, including working based on time or word counts The fraudulent higher education system which fails to provide value to students, and why the government doesn’t seem to care at all. How to write good prose How to write convincing dialogue.  

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Storycraft: The Bad Boy, the Best Friend, and the Goody Two-Shoes

Time for more character archetypes, this time focusing on secondary characters. I go over three classics, including their growth arcs, traits, and typical relationship to other characters. They are: Bad Boy – a character that goes from a nihilistic or chaotic approach to life and authority to a purpose-driven life. Frequently, this is a focus for a romance story, as a Bad Boy represents a popular fantasy: a strong, confident male that can be transformed into being stable while maintaining masculine traits. Best Friend – mostly a foil for the main character, a best friend has different, often opposite, strengths…

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How to write the opening line and first five thousand words of a book

Another storycraft video, here I explain the technical details of opening a book, including examples from the classics and my own work to see how I execute the beginning of a book.

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Writestream 10/31/2018 – NaNoWriMo Prep

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Opportunity Cost and Cost of Entry – an author and musician’s perspective

This video was a response to the following comment:

You are missing the opportunity cost. As an economist I have to tell you you might need to rethink your business model. A problem in all businesses with giving free samples or discounts is that you drown the market. There is a finite number of people in the world willing to buy an indi medieval fantasy, or japanese shogun historical fantasy. If you give out free copies of your product the first people to take those are the ones that have the highest demand for it. Its like a restaurant giving a wednesday discount because its the low day. But what happens is that all the fans of your restaurant that come saturday night and pay full price, come Wednesday to get the same food cheaper, and since they already ate once this week they wont come at your place on the weekend. I just published yesterday my first paper back yesterday, and ebook, and second publication are on the pipeline. Thank you David your videos helped a lot and kept me motivated to finish. all that said $500 is not cool. What I think is realistic is to get $500 from my first book in one year assuming i keep publishing all year long. How much did you pay for ISBN, Copy right, printing essentials, and all other small expenses? From a purely accounting point of view you might be at a loss, from an economical point of view you are down the equivalent of minimum wage hours dedicated into writing, editing, and everything else.