Rabbits and Social Credit

Courtesy of Brian Niemeier, I read a great short graphic novel (available free and digitally) by Minna Sundberg this week regarding control, social credit, and human conditioning… through rabbits: https://www.hummingfluff.com/lovelypeoplecomic.html I think this is a great comic for a few of reasons. First, the subject matter is on-point and topical. We in the west tend to look over at China and their social credit system (sesame credit) and think we are much better when it comes to thought control, and in a way, we are. That is to say, the west is good at controlling thought in more opaque manner.…

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Auto-Allegory, or how Starfire is a Terrible Mother

I don’t like to give publicity to garbage like this, but it’s such an instructive moment for writing and understanding people I can’t help myself: Basically, this is about DC superhero Starfire’s daughter (Raven, I think), who is an angsty 90s-2000s goth girl who is also obese and a lesbian, and of course resents her beautiful mother. The surface level complain is obvious – this is bad fan fiction and denigrates established characters, pushes a gratuitous woke agenda at the expense of a good story, and is generally low-quality writing and art. Add to that the fact that it will…

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The Epistle of Captain America – The Pop Cult is Truly a Cult

If you needed more proof that the obsession with fictional corporate franchises has a religious overtone to it, here is a major filmmaker advertising just that. When my viewers were upset about the corporate destruction of Star Wars, calling the franchise a cultural institution, I thought it a bit hyperbolic – after all, these are just stories, and you can’t uncreate what George Lucas did. I see things better now. Star Wars is part of the religious reverence for popular franchises. When Disney makes a Star Wars movie that undoes the stories of the Lucas era, it really is like…

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Stylization and Aesthetics

Rob Liefeld sells comics. His detractors are often at a loss to explain why, and while Rob is one of the most lambasted artists in comics, he continues to be successful. I got this impressive cover off of an extensive article dedicated to bashing Rob. Rob sells comics because he sells style. His images are not intended to be realistic, but grotesque. They stand out and make you pay attention. The heroes are bigger. The guns are bigger. The swords are swordier. It’s something other artists could learn from. At the same time, though, the complaint regarding technical issues is…

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